Please provide a short introduction about yourself and your journey with dance.
I am a former First Soloist of The Royal Ballet and currently Head of Redlands Dance Academy in Sydney.
I began Ballet and Irish dancing in Northern Ireland from the age of three, mum says I rarely walked, always danced. I spent five years training at White Lodge, two years at the Upper School and was offered a position in the Company at the age of seventeen. I had a twenty-three-year performance career, slowly progressing through roles within the Company.
Please tell us about the highlights of your dance journey.
I have had a very long journey with dance but one highlight was being cast by William Forsythe to perform In the Middle, Somewhat Elevated alongside ballerinas Dame Darcey Bussell and Sylvie Guillem. Consequently, Sir Kenneth MacMillan selected me for the role of Mary Vetsera in Mayerling.
What has been the most memorable moment of your journey with dance?
Choosing just one memorable moment is difficult. I would have to say performing Manon with Carlos Acosta. This was a very special opportunity and a huge privilege.
Why is dance important to you?
Dance is what I am made of. It has given me such an extraordinary life and I am extremely grateful for it.
Where do you find inspiration, both in dance and in life?
As a dancer I found immense joy in interpreting music and now, as a teacher, I enjoy helping students understand movement dynamics in relation to the music they are dancing to.
If you could share some advice with young dancers, what would it be?
Dance because you love to dance. Do not allow fear to get in your way, you will always dance better without it.
Please share your thoughts about being a Patron for bbodance.
I had a wonderful time in New Zealand when I was invited to attend Dance Days. I held an Audition Preparation Workshop followed by a Repertoire Class. The students were a joy to teach. I attended their performance at the end of the event and was impressed by amount of work presented in just a few days of training.
Can you describe bbodance in 3 words?
Progressive. Inclusive. Authentic.
What are your hopes for the future of dance?
I hope that dance maintains its value as an artform and does not stray too far from its roots.
Do you have any advice for dance teachers?
I would advise dance teachers to spend time on the fundamental elements of technique and the steps will look after themselves.
Why is it important for dance teachers to train and gain a qualification in dance teaching?
Why is it important for a maths teacher to gain a teaching qualification?
Firstly, it is crucial for us to understand what we are teaching, but there are a multitude of other skills required to run a successful class, and even more when running a school. Gaining a teaching qualification equips you with all the necessary tools to ensure that you deliver not only a positive and healthy environment for pupils, but also a well organised and successful business.
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